The term “Cultural Marxism” in contemporary political terminology refers to the perception that the infamous “Frankfurt School” is the creator and primary engine of an international ideological-political and institutional-social movement aimed at controlling and destroying Western society.

[The “Frankfurt School” refers to a school of neo-Marxist sociological research and philosophy. The group of intellectuals that comprised the School emerged at the “Institute for Social Research” (“Institut für Sozialforschung”) at the University of Frankfurt when the great German-Jewish philosopher Max Horkheimer (1895-1973) became the Institute’s director in 1930. The term “Frankfurt School” is informal and is conventionally used to describe the thinkers associated with or influenced by the “Institute for Social Research”.]

Specifically, the purpose of creating this political philosophy is the radical and irrevocable destruction of the pillars of Western society: the white race, the consciousness of nationality, the Christian religion, European culture, as well as the traditional family. This is intended to pave the way for the easier imposition of a modern and advanced dictatorship of a “mutated” multiracial – multicultural neo-proletariat, a product of neo-classical, neo-era globalization.

This bloated and abundantly funded-by-International-Overlords Cultural Marxism expresses and promotes Globalization, population and social minorities, illegal immigration, feminism, homosexual orientation, the abolition of the Christian religion, and unfettered free-market economics.

Initially, the term “Cultural Marxism” had limited academic usage, within the humanities and social sciences and more specifically within the field of “cultural studies,” where it referred to the Frankfurt School’s persistent critique of the “culture industry” in post-war Western society. According to this critique, this specific “industry” was ultimately capable of “reifying” human needs, hindering individuals from developing human values (“Reification” is a Marxist term describing the process where objects acquire a subjective dimension and vice versa).